Thursday, January 6, 2011

The end of WROX?


I still enjoy listening to radio.  Terrestrial, local, regionally-defined radio of the kind you almost can't find anymore, and when you do it's like a drink of cool, clear water.  I wonder if, in this post-digital, corporate-conglomerate age, we're starting to forget just how powerful radio can be.  Hearing an unexpected song on the dial at just the right moment can change your life, as I can testify to.  If I hadn't heard Bob Dylan's magnificent "finger pointer" "Positively 4th Street" on Mobile, Alabama's WZEW that fine, bright afternoon in 2004, I might never have started listening to him more closely, and I certainly wouldn't be where I am today - writing about the music that I love.


My other all-time favorite radio stations are New Orleans' WWOZ and Clarksdale, Mississippi's WROX.  I discovered WROX while I was living in Oxford, Mississippi, which is about an hour east of Clarksdale. Being an Ole Miss Southern studies master's student who is passionate about music, I naturally gravitated towards this storied blues town, and one of the first historical locales I became acquainted with was the local radio station.

WROX was founded in 1944, and is the oldest station in northwest Mississippi.  It's had several homes around town, but its most noteworthy location was at 257 Delta Avenue.  From 1945 to 1955, the station was housed here, and it was here in 1945 that Early Wright joined the station's staff.


Early Wright was Mississippi's first African American DJ, and his six-nights-a-week program was one of the longest-running in American broadcast history.  For three hours, the "Soul Man" spun R&B records; afterwards, as "Brother Early," he played two hours of gospel music.  Often he wouldn't identify the artists whose records he was playing - he believed that his audience would already know them.  He was beloved by the Clarksdale community; his unique, folksy way with language - including his delightfully idiosyncratic advertisements for local businesses - made "everybody in Clarksdale feel as if he were talking directly to them," Living Blues founder Jim O'Neal told the New York Times in 1999.

Many seminal blues artists appeared live on WROX.  The list includes Clarksdale natives Ike Turner - who also hosted his own program for a time - and Sam Cooke; Sonny Boy Williamson II, whose "King Biscuit Time" program was shared with WROX by Helena, Arkansas' KFFA; Jackie Brenston, of "Rocket 88" fame; B. B. King; Robert Nighthawk; Rufus Thomas; and Pinetop Perkins.  Even Elvis Presley showed up one night and performed live on Wright's show.

Wright retired from broadcasting in 1997, after having been on the air for fifty years; that same year, the station was sold.  He passed away in 1999 at the age of 84.  The 257 Delta Avenue building, now on the National Register of Historic Places, hosts Kinchen "Bubba" O'Keefe's WROX Museum; it's open on festival weekends and by appointment.  The current location for the WROX office is at 628 Desoto Avenue, near the famous "Crossroads" of Highways 49 and 61.  The station is now owned and operated by Delta Radio LLC, based in Las Vegas, Nevada.


The front entrance of 257 Delta Avenue, the former home of WROX and 
currently the location of Bubba O'Keefe's WROX Museum.


The view inside the museum; it was closed the day I first visited Clarksdale.  
Note the old Coca-Cola signboard on the far right.

WROX's format has changed a few times over the years, but when I began listening in 2008 it was an oldies station, broadcasting hits from the '60s through the '80s.  As the signal doesn't quite reach all the way to Oxford, I would listen to the station at home through my iTunes.  It was here that I fell in love with the warm, monaural sound of AM radio.  That, combined with a playlist of music beloved from childhood, was very comforting to me while I was living alone in an unfamiliar town half a day from home.  I'd often leave my computer on at night and let the softly-playing station drift me away to sleep. 

On Saturday evenings the station would revert back to its blues and R&B roots, hosting shows such as Cathead Delta Blues & Folk Art proprietor Roger Stolle's "Cat Head Delta Blues Show."  It was while listening to the Saturday night blues programming that I had another of those epiphanic moments. Driving across a bright, storm-cleansed Delta on my way to see the Levon Helm Band in Robinsonville, I heard Blind Willie Johnson's 1930 recording of "Soul of a Man."  It may have been brand-new to me that afternoon, but I was singing along by the time it was over.  It had the same effect on me that the previous night's storms had had on the area I was traveling through; it washed away the dust and brought everything into sharp, almost painfully clear focus.  When was the last time a song did that for you?


Another thing I credit WROX with during this time is raising my awareness of the Beatles' American R&B roots.  In the mornings around 10:30 they would play two Beatles tracks back-to-back, and usually the offerings were their covers of '50s rock songs.  Though I've heard the Beatles all my life and certainly understood the importance of their musical legacy, I had yet to begin to really dig into and absorb their catalogue.  Listening to them in this context opened my eyes and gave me a new appreciation for the four gentlemen from Liverpool - and how, in a way, they helped "give" our music back to us in the '60s, spawning another musical revolution.  

The Beatles' 1964 cover of Larry William's "Slow Down" . . .


. . . and the 1958 original.


Since I've moved back to south Mississippi I've not listened to WROX much, but the other day I was feeling under the weather and decided to check in with the station via the internet.  Imagine my surprise when I discovered it was broadcasting modern country in FM format.  I checked the website and learned that effective December 31 it was simulcasting Cleveland, Mississippi's WKXY.  Confused and a little upset, I sent an email to the station's address and quickly received a reply from Larry Fuss.  He assured me that he would have loved to have continued WROX's former format, but that the majority of Clarksdale's businesses would not advertise with him for whatever reason, and that it was not fiscally viable for him to keep things as they were.  The station is currently for sale, and if anyone is interested in purchasing it, they can contact him here.  

Let me state that I'm not taking any political sides in this matter; again, I'm simply a music-loving college student who doesn't want to see this historic station die, and I present this story in that spirit.  Hell, if I could afford to buy it, I would - I dream of working at a station like the WROX of yore.  I can't imagine why the Clarksdale community wouldn't support it, as Larry says; there's obviously a story there, but I've no idea what it is.  Maybe it's simply that WROX has outlived its usefulness, but I don't really want to believe that's true.

Can WROX be saved?  Personally, I'd love to see it go the way of WWOZ - listener-supported, with volunteer DJs.  At the very least, I'd rather it be returned to its former format than to keep the one it has now, which is completely bereft of any reference to its historical and cultural importance.  I have no idea how to go about it, but I would think that with the many blues fans from around the world who come to Mississippi every year to see "where the blues began," that somehow it just might be possible.  What say you?

"technology to wipe out truth is now available. not everybody can afford it but it's available. when the cost comes down look out!  there wont be songs like these anymore. factually there arent any now." - Bob Dylan, from the liner notes to World Gone Wrong, his 1993 album of blues and folk covers 


The flyer announcing the installment of WROX's Mississippi Blues Trail marker at 257 Delta Avenue.  
To view images of the marker and read the accompanying text, click here

Wednesday, January 5, 2011

This week's musical miscellany

I've gotten way behind on my weekly collections of interesting and noteworthy musical tidbits, so let me see if I can catch up . . .

The biggest news of the past few weeks was the announcement of the 2011 Class of the Rock and Roll Hall of Fame.  This year's inductees include Dr. John, Tom Waits, Neil Diamond, Alice CooperDarlene Love, and Leon Russell.  Congratulations to them all!

Dr. John, Rock and Roll Hall of Fame Inductee, Was 'Surprised' By the News (Andy Greene, Rolling Stone)

Dr. John a deserving Rock and Roll Hall of Fame inductee (Keith Spera, NOLA.com)

Tom Waits issues statement regarding his induction into the Rock and Roll Hall of Fame (Randall Roberts, Pop & Hiss/LA Times)

Neil Diamond, Rock and Roll Hall of Fame Inductee, Says He Feels 'Very Lucky' (Andy Greene, Rolling Stone)

Alice Cooper, Rock and Roll Hall of Fame Inductee, Was 'Elated' When He Got the News (Andy Greene, Rolling Stone)



Chuck Berry collapsed during his performance New Year's Night at Chicago's Congress Theater.  He was assisted offstage but returned, only to be led off again.  He apologized to the crowd before leaving, getting in a few of his famous duck-walk steps on his way out.  He was examined by paramedics at the venue and apparently refused hospital treatment, leaving instead in a limousine.  His agency posted an official statement on his website Monday, stating that "he is fine and has returned to his home near St. Louis."

The NPR blog All Songs Considered asked its readers to comment on why Chuck Berry matters, even though modern rock sounds almost nothing like it did in Berry's heyday.  It's simple: One must know what the rules are in order to break them and create something original, and Berry helped write the rule book. His signature, driving riff is at the very foundation of rock and roll, and all of the innovators who've come after him - the Beatles, the Rolling Stones, and Bob Dylan are only three - went through him first. One revolution inevitably inspires another.

"If you tried to give rock and roll another name, you might call it 'Chuck Berry.'" - John Lennon

"To me, Chuck Berry always was the epitome of rhythm and blues playing, rock and roll playing.  It was beautiful, effortless, and his timing was perfection.  He is rhythm supreme.  He plays that lovely double-string stuff, which I got down a long time ago, but I'm still getting the hang of.  Later I realized why he played that way--because of the sheer physical size of the guy.  I mean, he makes one of those big Gibsons look like a ukulele!" - Keith Richards

"In my universe, Chuck is irreplaceable . . . All that brilliance is still there, and he's still a force of nature. As long as Chuck Berry's around, everything's as it should be." - Bob Dylan, from his latest Rolling Stone interview (#1078).  

Official Statement from Chuck Berry's Agency, CMG Worldwide

Before his collapse, Berry was complaining, cutting songs short (Dave Hoekstra, Chicago Sun-Times)

Chuck Berry's Collapse Reminds Us How Much He Matters (Bob Boilen, All Songs Considered/NPR)

Berry performs at least once a month at the St. Louis venue Blueberry Hill and other tour dates as they are announced on his website.  I see a road trip at some point in my future!

Just a few days before his Chicago performance, his first hit "Maybellene" turned 55 years old.  Get well soon, Mr. Berry, and long may you rock!


Levon Helm was also recently hospitalized, but has since been released and has returned to performing. Helm has chronic obstructive pulmonary disease (COPD); a cold aggravated the condition, and he was admitted to a New York hospital for nearly a week, forcing him to miss a scheduled Midnight Ramble at his Woodstock home and studio.  He was released on December 17 and performed at the Ramble the next night.  Levon, we love you, and we're glad you're feeling better!

Levon Helm hospitalized, but OK (John W. Barry, Poughkeepsie Journal)

Levon Helm home from hospital (Poughkeepsie Journal)

The music world lost Captain Beefheart on December 17 and Stealers Wheel's Gerry Rafferty on January 4.  Rest in peace, gentlemen.

Captain Beefheart Dead at Age 69 (Maura Johnston, Rolling Stone)

Don Van Vliet, Known To Rock Fans As Captain Beefheart, Dies (Rick Carr, NPR)

Captain Beefheart: A Rock Critic Fable (Mitch Myers, All Songs Considered/NPR)




Robbie Robertson has announced the release date for How To Become Clairvoyant, his first solo album since 1998's Contact From the Underworld of Redboy.  It comes out on April 5, just in time for my birthday - thanks, Robbie!  Now if only you'll tour, my year will be complete . . .

How To Become Clairvoyant, Robbie Robertson's First Album in Over a Decade, Is Due Out April 5, 2011 on 429 Records (Digital Journal)

The album art is up on the front page of Robbie's official website.  The title track was previously released on the HBO series True Blood and is included on the show's latest soundtrack.  You can preview another song, "When the Night was Young," here.  


Two movies and a musical:  The Phil Ochs documentary There But For Fortune opens today at the IFC Center in New York City.  Director Kenneth Bowser and Ochs' brother Michael will be present tonight and tomorrow night at the 7:20 and 9:30 showings.  Wish I could be there!



While researching something for a friend yesterday I ran across the blog A Warehouse On Tchoupitoulas. Apparently there is a film in the works about the late, legendary New Orleans musical venue The Warehouse, which during the '70 hosted everyone from The Who to the Allman Brothers to Bob Dylan's Rolling Thunder Revue. The Grateful Dead played the inaugural weekend, and their subsequent arrest for drug possession inspired their classic "Truckin'"; the Doors played their final concert there.  The filmmakers are trying to raise $40,000 to pay for the film's soundtrack.  Take a look at the blog, and donate if you feel so inclined.  Good luck, y'all - I really want to see this film!

(P.S. If anyone out there can tell me the exact location of the Warehouse at 1820 Tchoupitoulas, I'd be grateful.)

A Gram Parsons musical? Yes, please - especially when it sounds this good.  Grievous Angel: The Legend of Gram Parsons wrapped a West Coast tour in October, and there are rumors of an East Coast tour in the works.  Check out a video from the show, and you can preview other tracks from the soundtrack and order a copy of it here.



Neil Young and Daniel Lanois are on the cover of the current issue of American Songwriter, and the unabridged interview by Jann Uhelszki is available to read online


Neil is also on the cover of the latest issue of MOJO.  Try their Neil Young "Name The Album" quiz - it's just as hard as the previous Dylan one!

Speaking of Dylan, my favorite of Rolling Stone's recent playlists is from Patti Smith - she focuses on Bob Dylan's love songs.  Bob is not primarily known for his romantic ballads, yet Patti and I are in agreement that few songwriters can turn heads quite like the Bard of Hibbing.

"What is sadder than 'One Too Many Mornings,' more troubling than 'Ballad in Plain D' or more poignant than 'Love Minus Zero'? And from a female point of view, what testament is more breathtaking than the words, "Love you more than madness" in 'Wedding Song'?"

What indeed, Patti.  Check out the the rest of her list here: Patti Smith: Bob Dylan's Love Songs 



The Washington Post recently featured Dylan in their "On Success" section.  In response to the recent Wall Street Journal concert review I wrote about earlier, several commentators offered essays answering the musical question, "Are there age limits on success?" Some, like Virginia Bianco-Mathis', are laughable and extremely out-of-touch; to say that a Pulitzer Prize-winning songwriter - make that the first rock songwriter to be given such an award - in the middle of a golden career renaissance, and whose shows regularly sell out, has "flopped" as a touring act says more about Ms. Bianco-Mathis than it does about Dylan.

My favorite is by Seth Kagan, who offers the following astute observations:

"If your primary aim is to establish a legacy, then, sure, leave while at the top of your game. But that is a more selfish motive than a true artist pursues. The expression and application of creative skill and imagination is the ongoing destination of every creator worth his or her salt. That is what Dylan continues to do . . . 
As long as he can wrangle a stage, he is entitled. And all the pundits who spin their thread on his dime have a choice. They can spit and castigate or they can take note of an aged poet and his mysterious process."

Or to put it in that mysterious poet's own words, "he not busy being born is busy dying" - a great meditation for a new year.

Saturday, January 1, 2011

Happy New Year!/Song of the moment: "Everything I Do Gohn Be Funky"

Happy New Year!  I wish a bright, blessed, and prosperous 2011, filled with good music and good times, to all of my readers out there.

I've got a few things in store for my blog this year . . . I hope to start contributing some concert and record reviews, as well as some occasional essays, as time allows.  I may even throw in a few surprises here and there.  So stay tuned - the best is yet to come!

I don't know 'bout you, but I've resolved that "everything I do gohn' be funky from now on." Let Lee Dorsey tell you how it's done.

Everything I do gohn' be funky from now on, yeah
Everything I do gohn' be funky from now on, yeah

I got to be myself and do my thing
A little soul can't do no harm, yeah
Everything I do gohn' be funky from now on, yeah

Everything I do gohn' be funky from now on, yeah
Everything I do gohn' be funky from now on, yeah

Some may say that I've got no class
But I'm doin' what I want to do, yeah
So groove with me if you can
Or just do what you can do

Aw, shucks
Why you whining
I'm on fire

Yeah, everything I do gohn' be funky from now on, yeah
Everything I do gohn' be funky from now on

Never before have I felt so good
Just being natural me
My little hangup and my little times
But deep inside I'm free

Let your hair down and get down with me
Who's to say what's right or wrong
Everything I do gohn' be funky from now on, yeah

Everything I do gohn' be funky, yeah, from now on, yeah
Everything I do gohn' be funky from now on
(Repeat and ad-lib until fade)

Wednesday, December 29, 2010

Happy birthday, Rick Danko/Song of the moment: "When You Awake"

He would have been 67 today, and this song is rotating on the turntable inside my head.  It's from The Band's second album (sometimes called "The Brown Album"), and was co-written by Richard Manuel and Robbie Robertson.  Rick sang lead, and it's one of his most tender, expressive vocals.

For an analysis of this unusual song, see Peter Viney's essay.  Carol Caffin also relates an amusing story regarding the discrepancy surrounding Rick's birthdate on her blog.

Ollie told me that I'm a fool.  So I
Walked on down the road a mile, went to the house that brings a smile,
Sat upon my grandpa's knee, and what do you think he said to me?

(Chorus)
When you awake, you will remember ev'rything, you will be
Hangin' on a string, from your . . . when you believe, you will relieve the only soul
That you were born with to grow old and never know 

Ollie showed me the fork in the road.
You can take the left or go straight to the right,
Use your days and save your nights,
Careful where you step and watch wha-cha eat,
Sleep with the light on and you got it beat.

(Repeat Chorus)

Ollie warned me it's a mean old world. 
The street don't greet ya, yes, it's true;
But what am I supposed to do:
Read the writing on the wall,
I heard it when I was very small

(Repeat Chorus)

Wash my hand in lye water.  I've got a date with the
Captain's daughter.  You can go and tell your brother.  We sure gonna
Love one another, oh!  You
May be right and ya might be wrong, I ain't gonna worry all day long.
Snow's gonna come and the frost gonna bite, my old car froze
Up last night.  Ain't no reason to hang your head, I could wake up in the
Mornin' dead, oh!  And
If I thought it would do any good, I'd stand on the rock where Moses stood.
(Lyrics courtesy of Jan Hoiberg's Band page.)

Friday, December 24, 2010

It's not Christmas until I hear . . .

Here are some of my favorite holiday-themed recordings - some expected, some not so much.  I hope you'll enjoy them all, and please feel free to share some of your own favorites with me in the comments section below.

What rock and roll Yule playlist is complete without this . . .


. . . this . . .


. . . this . . .



. . . this . . .


. . . or this?



I shared Keith Richards' cover of this in my most recent post; here's Chuck Berry's original.


There are several versions of this, but Bruce's is the most fun.


Not traditional, but still beautiful.  Emmylou Harris's ethereal harmonies make it more so.


There's a radio station around here that plays this on the air every year.  A friend of mine would also bring it on a '70s-themed Christmas CD to work during the holidays, and we would play it after closing time.  It gave us all a much-needed laugh after a stressful day in holiday-retail hell.



One of my favorite Christmas songs that you won't hear on the radio.



Here's two versions of "Pretty Paper," because they're both so lovely I can't choose.

One's by the author . . .



. . . and the other is a cover by one of rock's immortal voices.



And while I've got Sun Records recording artists on my mind, they sure don't make Christmas specials like Johnny Cash used to.


Here's one for when you've had a little too much family-togetherness . . .


. . . and one for when you haven't.


Steve Earle wrote this, but Joan Baez's version is my favorite.



Joan's onetime duet partner Bob Dylan confounded expectations yet again last year and released a Christmas album.  It - and this video - became instant classics.



I've shared this one on my blog already, yet my list won't feel complete if I leave it out now.
  

OK, so these last two aren't rock and roll, but they're essential.  "O Holy Night" is my favorite Christmas song, and most rock singers who've performed it just leave me cold (yes, I'm looking at you, Celine and Mariah).  Michael Crawford (the original Phantom of the Opera in Andrew Lloyd Webber's musical) possesses a voice that actually does this difficult-to-sing carol justice.  



And just in case I ever start forgetting what Christmas is really all about, Linus, Charlie Brown, and the rest of the Peanuts gang are always there to remind me.


May you and yours have a very merry, blessed Christmas, and a most joyous New Year.

Saturday, December 18, 2010

Happy birthday, Keith Richards

Rock and Roll Woman would like to wish the ultimate Rock and Roll Man, Keith Richards, many happy returns of the day!

Keef's been getting tons of press since the recent release of his memoirs.  On October 29, he was interviewed by Rolling Stone contributing editor Anthony DeCurtis at the New York Public Library, where he also gave a reading from Life.  (While there, he also allegedly killed NYPL executive Marie d'Origny's orchid with secondhand cigarette smoke.)  For those who couldn't attend, the Library has graciously made a video of the proceedings available, which you can download for free from iTunes.


And, as 'tis the season, here's Richards' roasting cover of the Chuck Berry holiday chestnut "Run Rudolph Run," which he originally released in 1978.  (For a limited time, the Keith Richards official store is giving away a free download of this song with any purchase.) 



RSVP to his birthday party on Facebook, hosted by The Keith Shrine.

Listen to Richards' recent interview with NPR's Terry Gross and read an excerpt from his book here. (And Santa baby, if you're wondering what to get a Rock and Roll Woman for Christmas, Life is still on my wish list, and I've been a very good girl this year!)

Thursday, December 16, 2010

Christmas Is Happening!

I participated in a Facebook discussion yesterday in which we collectively lamented, among other things, the usurpation of traditional religious Christmas carols by silly, soppy secular ones.  So imagine my delight when I signed into Facebook this morning and was greeted by the posting of another friend (not involved in said discussion) sharing this website:


It's an online musical Advent calendar; each day a different song is revealed with accompanying artwork or Bible verse.  Most songs are religious in nature, though one offering is a poetry recitation (Day 10, "A Stranger Comes") and two others are secular (Day 4's "All I Want For Christmas is You," which takes on a different, deeper meaning à la Sister Act in this context; and Day 13's "Panther Chorus," which is "Jingle Bells").  I spent a pleasant morning catching up through today (Day 16, "O Little Town of Bethlehem"), and there are some real gems here.  Two particular favorites are "The Race That Long in Darkness Pined" (Day 5) and "Silent Night" (Day 9).

I've no idea who the musicians are, and the website doesn't say.  The title of my friend's Facebook posting wondered if this might be "A Mumford and Sons Christmas?"  A couple of the songs do indeed sound like the British folkies, and if you are a fan of their music, or of folk music in general, you will love these carols.  And to whom it may concern: Merci beaucoup for putting this site together, and for doing your part to put the "Merry" back into Christmas.


Update:  The credits have now been posted on the website.  To see the list of artists and musicians involved with this project, click on the red question mark in the upper left-hand corner of the home page.